Monday, August 19, 2019

Materialism in The Dharma Bums and Goodbye, Columbus :: Dharma Bums Essays

Materialism in The Dharma Bums and Goodbye, Columbus    Several works we have read thus far have criticized the prosperity of American suburbia. Jack Kerouac's The Dharma Bums, Philip Roth's Goodbye, Columbus, and an excerpt from Lawrence Ferlinghetti's poem "A Coney Island of the Mind" all pass judgement on the denizens of the middle-class and the materialism in which they surround themselves. However, each work does not make the same analysis, as the stories are told from different viewpoints. The Dharma Bums and "A Coney Island of the Mind" are critiques of materialism by people who have rejected the middle-class ideals. In Goodbye, Columbus, however, Roth makes his point via Neil, a dweller of the lower class who wants to join the prosperous rank of the Patimkin family. The difference is that Kerouac and Ferlinghetti mock the suburbanites, yet pay them little attention while several characters in Goodbye, Columbus are disdainful of the materialism exuded by the Patimkins while feeling excluded from their social class. In The Dharma Bums, Kerouac strengthens his argument for the Zen ideal of poverty and freedom by this criticism of the conformity practiced by the middle-class: ...you'll see if you take a walk some night on a suburban street and pass house after house on both sides of the street each with the lamplight of the living room, shining golden, and inside the little blue square of the television, each living family riveting its attention probably on one show; nobody talking; silence in the yards; dogs barking at you because you pass on human feet instead of wheels. You'll see what I mean, when it begins to appear like everybody in the world is soon going to be thinking the same way and the Zen Lunatics have long joined dust, laughter on their dust lips. (104) Kerouac's point is that freedom doesn't exist in a place where everyone is watching the same thing and thinking the same thing at the same time. Kerouac also reflects on the futile trap of materialism. Japhy discusses "all that crap they didn't really want anyway such as refrigerators, TV sets, cars, at least fancy new cars, certain hair oils and deodorants and general junk you finally always see a week later in the garbage anyway, all of them imprisoned in a system of work, produce, consume, work, produce, consume.

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